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Singing and Playing Solo, Episode 3: Tempo

May 3, 2020

Once I’ve chosen a song, I decide how I’m going to deliver it to the audience.

Episode 3: Tempo

Episode 3 is the third in a series for the solo singing guitarist, both professional and hobbyist, who’d like to know how another soloist goes about his work in rehearsal.


Listen to my brand new Space City Funtet album, BLAST-OFF!

Just click on this ROCKETSHIP!

Click to listen!

Also on iTunes:

Whinin’ and Complainin’: Classic Nashville Out-of-Love Songs

Click to listen!

The Last Whoop-dee-doo

Richie Kaye’s Music & Mirth

Click to listen!

A New York City Subway Christmas

Click to listen!

PREVIOUS EPISODE

Episode 1, Intro and choice of key

Episode 2, The Set-up

Singing and Playing Solo, Episode 2: The Set-up

Once I’ve chosen a song, I decide how I’m going to deliver it to the audience.

Episode 2: The Set-up

The second of a series for the solo singing guitarist, both professional and hobbyist, who’d like to know how another soloist goes about his work in rehearsal.


 

Listen to my brand new Space City Funtet album, BLAST-OFF!

Just click on this ROCKETSHIP!

Click to listen!

Also on iTunes:

Whinin’ and Complainin’: Classic Nashville Out-of-Love Songs

Click to listen!

The Last Whoop-dee-doo

Richie Kaye’s Music & Mirth

Click to listen!

A New York City Subway Christmas

Click to listen!

PREVIOUS EPISODE

Episode 1, Intro and choice of key

Singing and Playing Solo, Episode 1: Intro and Choice of Key

April 22, 2020

Ever wonder how I go about deciding what to play?

Once I’ve chosen a song, I decide how I’m going to deliver it to the audience. That involves a number of considerations: the key, for example.

This is the first of a series for the solo singing guitarist, both professional and hobbyist, who’d like to know how another soloist goes about his work in rehearsal.

In addition to key choice, I’ll cover: how I understand and deliver a melody, the considerations regarding the meaning of the song and writer/composer intent, knowing one’s own abilities, the different way to play to a live audience as opposed to a studio recording and the equal importance of technical mastery and in-the-moment joyfulness.

I hope you enjoy it!


 

Listen to my brand new Space City Funtet album, BLAST-OFF!

Just click on this ROCKETSHIP!

Click to listen!

Also on iTunes:

Whinin’ and Complainin’: Classic Nashville Out-of-Love Songs

Click to listen!

The Last Whoop-dee-doo

Richie Kaye’s Music & Mirth

Click to listen!

A New York City Subway Christmas

Click to listen!

BLAST-OFF! Richie Kaye’s Space City Funtet Releasing Oct. 1, 2019

September 10, 2019

Releasing October 1, 2019, Blast-off! is an album of new compositions for voice, saxophone, clarinet, guitar, piano and bass, intended to accompany films, TV shows and commercials that haven’t yet been created. They’re playful and inventive and joyful and fun: music written to herald the new FutuRetro Age. We’re blasting off into the art of the future!

Please visit: www.funtet.com to hear the new album!

Richie’s New Album of Classic Country Songs

August 16, 2018

I am just pleased as punch to tell you that my album of classic country songs is available.  Read all about it and listen to the tracks here.

Reviewers and radio station music directors are welcome to contact me with inquiries through the contact page on this website. 

Thomas Fraser and Singing the Music of Another World

April 8, 2018

Some ask me how I can sing in Mandarin. Well, it just comes through me. I recently discovered another example (of a singer delivering something meaningful far from his instant venue). Yes, there is no linguistic disparity. English was his mother tongue, but not American English.

Thomas Fraser (1927-1978) was a fisherman in the Shetland Islands. Over many years, he recorded American country and folk music on his own tape recorder. His grandson discovered the tapes decades later. And what we hear is, well, this is the meaning and the intention of the original in the place it originated — not the Shetlands! Even his guitar playing is thoroughly “right.” Compare this to any Jimmie Rodgers from the 1930s.

“Genuine, authentic?” This is so much pish-tosh. No, it does not matter through whom it comes, or when, just that what it is, that it actually is, is expressed. And anyone might be able to do it.

Click for sample HERE.

The Fine Performance that Reveals the Crude Nature

March 21, 2018

Every once in a while comes along an album, finely produced, well-played, extremely well sung, in sum subtly seductive, clearly an epiphany of heartfelt expression to the performer.

But which comes off to the listener, for all its artisanal craftsmanship, as oppressive to listen to because of the ideas it conveys. I’ve encountered this rare specimen today, though I shan’t name it or its creator.

Surely, the performer of whom I speak is thoroughly convinced of her rightness (righteousness?) in “speaking from the heart,” that shibboleth all post-modernists employ to justify what they create. And even that her work is Art (so she has said in interviews), regardless of its intention or its effect.

We must be cautious when any performer claims to be an Artist. There are few, very very few, who ever reach that level of creative expression. And those few would rarely admit to such achievement, because they know how dear, how rare and striven for that attainment truly is. But we know the tree from its fruits.

Rather, I hear in this performer’s voice, an insistence, a dread of life and a sense of the innate superiority of her ideas, which, sadly, give little of substance to the audience other than emotive dissonance — clothed in harmonious tones, mind you. Such is not my life, nor any life I care to hear about.

Beware the siren song!

Waylon Sings the Wrong Lyric and Nobody Would Notice

February 27, 2018

This is a lot of fun. Demonstrates (to me at least) just how accomplished a performer Waylon was. The song is “Loving Her Was Easier” (Kris Kristofferson).

At about 1:32, he sings “Healing as the colors in the sunshine and the shadows of her eyes.” In the middle of the phrase, you’ll notice a very very tiny smile that comes to his lips and a curious split-second look in his eye. PROBABLY because he just realized he repeated the fourth line by mistake! But covered beautifully, unnoticeably on national television with all that pressure.

The lyric that should have been sung is: “Talking of tomorrow and the money, love and time we had to spend.” Instead, he naturally went with another “ea” sound that started the previous line.

More Great New Songs in the Repetoire

New songs in the repetoire:

She’s Not For You (Willie Nelson)
When You Come to the End of a Lollipop (Max Bygraves)
Ridin’ on the Gravy Train (Jo Stafford)
Loving Her Was Easier (Waylon)

Today’s Song Snippet: The Opening Lines to “I Never Mention Your Name”

February 26, 2018

Today’s song snippet: the opening to “I Never Mention Your Name” (Mack Davis/Don George/Walter Kent).

The couplet intro is less often recorded, with singers generally going straight to the hook, but it succinctly sets up the number.

So many things that I think of so much
But there is one memory my lips never touch

I never mention your name, oh no
I never dream of your eyes
I never go where we used to go
To hear the echo of your sighs

“I never” is the hook, repeated throughout the lyric, until the final couplet contradicts it. So there is a set-up (the couplet intro) for the set-up (the repeated hooks) for the final couplet. And the final couplet is:

Except for every minute of every hour
Of every night and day

An ingenious form for a song lasting under 3 minutes that keeps the attention throughout and makes the song very memorable. One might only remember this as “The I Never” song and still have marched in to a store to buy the record or the sheet music.

The melody is rather ordinary and the rhythmic content a bit lackluster, so the vocal delivery means everything. I tend to prefer Audrey Morris. Who was she, you ask? A Chicago girl singer in the 50s. Here in a Marty Paich arrangement (he was the bandleader as well).

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