This is a lot of fun. Demonstrates (to me at least) just how accomplished a performer Waylon was. The song is “Loving Her Was Easier” (Kris Kristofferson).
At about 1:32, he sings “Healing as the colors in the sunshine and the shadows of her eyes.” In the middle of the phrase, you’ll notice a very very tiny smile that comes to his lips and a curious split-second look in his eye. PROBABLY because he just realized he repeated the fourth line by mistake! But covered beautifully, unnoticeably on national television with all that pressure.
The lyric that should have been sung is: “Talking of tomorrow and the money, love and time we had to spend.” Instead, he naturally went with another “ea” sound that started the previous line.
Today’s song snippet: the opening to “I Never Mention Your Name” (Mack Davis/Don George/Walter Kent).
The couplet intro is less often recorded, with singers generally going straight to the hook, but it succinctly sets up the number.
So many things that I think of so much
But there is one memory my lips never touch
I never mention your name, oh no
I never dream of your eyes
I never go where we used to go
To hear the echo of your sighs
“I never” is the hook, repeated throughout the lyric, until the final couplet contradicts it. So there is a set-up (the couplet intro) for the set-up (the repeated hooks) for the final couplet. And the final couplet is:
Except for every minute of every hour
Of every night and day
An ingenious form for a song lasting under 3 minutes that keeps the attention throughout and makes the song very memorable. One might only remember this as “The I Never” song and still have marched in to a store to buy the record or the sheet music.
The melody is rather ordinary and the rhythmic content a bit lackluster, so the vocal delivery means everything. I tend to prefer Audrey Morris. Who was she, you ask? A Chicago girl singer in the 50s. Here in a Marty Paich arrangement (he was the bandleader as well).
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