Space City Funtet

September 10, 2019

BLAST-OFF!

This is an album of new compositions for voice, saxophone, clarinet, guitar, piano and bass, intended to accompany films, TV shows and commercials that haven’t yet been created. They’re playful and inventive and joyful and fun: music written to herald the new FutuRetro Age. We’re blasting off into the art of the future!

Fondly reminiscent of the Space Age music of the 1950s, the music on this album recalls its mirth-making melodic ancestry. You may hear in these arrangements the influence of Raymond Scott, Lyle Murphy, Martin Denny, Bill Hitz, Esquivel, Gil Mellė, Enoch Light, Alan Hawkshaw, Bill Finegan, Don Sebesky, Marty Paich, Claus Ogerman and Alain Romans.

Richie Kaye’s Space City Funtet is based in Houston, Texas, where all ignition systems are GO!

ROOTS MUSIC REPORT review

After I heard the CD of Blast-Off! I had to do a double take. Released in 2019 by Richie Kaye’s Space City Funtet, Blast-Off! is greatly influenced by a range of jazz and Americana sounds and styles, yet after reading the liner notes, it all started to make sense to me. First I thought Richie’s music was Tin Pan Alley retro pop but when I saw Richie’s influences, which includes eclectic exotica and lounge music artists like Raymond Scott, Esquivel, Martin Denny and even Shadows’ keyboardist Alan Hawkshaw, I began to think that Richie is truly an eclectic band leader, singer and composer. Recorded in Houston Texas, Blast-Off! features Richie performing lead vocals as well performing a range of instruments from archtop guitar and ukulele to all manners of weird percussion (ice machine and chopsticks too?). With its 17-track mix of vocal and instrumental music, Blast Off! also features contributions from a range of artists including co-composer Tony LaVorgna (alto sax, clarinet). Other musicians also add in more instruments including horns, string bass and piano. With titles like “Champagne On The Plane”, “Marinara Honeymoon” and Penguin Parade”, the sound and vision of Blast Off! is eclectic FutuRetro, yet at the same time it’s also very humorous, off-beat and above all, highly entertaining. Music fans should expect the unexpected with Blast Off! by Richie Kaye’s Space City Funtet.

— Robert Silverstein

The New Old-Timers

November 2, 2018


Richie Kaye (voice & guitar) has sung American showtunes, classic country, jazz, Chinese pop songs and Japanese enka. He’s recorded four albums, including The Last Whoop-dee-doo with Tony LaVorgna (sax); and performed with New Orleans piano player/singer, Sam Kuslan; Cuban clarinetist Ernesto Vega; bassist, Thomas Helton, the FujiTV Studio Orchestra and others in clubs and on TV.

Jody Cameron (pedal steel) has toured extensively in the U.S. and Europe with many fine country music performers, including the Reba/Brooks and Dunn tours, Jeff Woolsey and the Dance Hall Kings, David Kersh, Johnny Bush, Frenchie Burke, Johnny Lyon, Zona Jones, and Bobby Flores and others. In 2016, Jody was inducted into the Texas Steel Guitar Hall of Fame.

The New Old-Timers Original Music

 

The New Old-Timers With Sam Kuslan, piano

 

 

Americana Originals with Sam Kuslan

October 1, 2018
New Country Pop

Richie Kaye and Sam Kuslan

Now I Know
Words & Music by Richie Kaye
All Rights Reserved

 

LAUGH
Words & Music by Richie Kaye
All Rights Reserved

 


GREMLINS AND GOD
Words & Music by Richie Kaye
All Rights Reserved

Nashville Classics

November 9, 2015

NEW CLASSIC COUNTRY ALBUM!

Richie Kaye, Whinin' and Complainin'

 

The love songs of country music are, more often than not, not about loving, but about the heartache of loving: love’s longings, love unrequited, love lost, love that’s over, love gone bad. “Rarely do we hear the country equivalent of You are the Sunshine of My Life. “Love me, please!” is heard in equal measure to “She done me wrong” and “You ain’t worth it.” That’s why this recording, Whinin’ & Complainin’: Classic Nashville Out-of-Love Songs is offered as a concept album and fittingly so – and it’s very 1967-sounding, which is about the time most of these songs were written.

The Nashville songwriters represented in this album were craftsmen who hewed out a chunk of life and worked it into a hand-tooled 3 minute number, each with a memorable hook to attract the ear and cause strong men to commiserate. Richie Kaye selected these 10 songs to record after listening to literally 1000s of (mostly) forgotten country classics. Richie thinks they’re all little diamonds of songwriting which you’ll enjoy hearing, refreshed after 50 years of resting and waiting to be appreciated, like a fine old whiskey.

 

Fire and Fall Back

The tradition of the troubadour is ancient, its apogee in quality and quantity, the historians tell us, evidently occuring in the late 12th century in the Pais d’Oc, roughly Languedoc in today’s France. In this tradition, a perfomer sang his lyric poetry aloud. He might sing of his pleasure, of a lover at dawn, of his sense of discord, of his complaints while traveling or a lament over the death of a loved one.

In Fire and Fall Back, Richie Kaye has attempted to follow that tradition, like the Fado Português, but in a clearly modern American sense. In other words, an expression of ideas of great emotional significance to the singer, expressed by means of an eclecticism in word and sound that are highly personal to him. In other words, singing of his Life — honestly and forthrightly — from the well of Soul.

Although born and raised in New Haven, Connecticut, Richie Kaye has led a life rather unlike most Americans of his generation, with much of it involving Chinese and Japanese languages and cultres. Perhaps for that reason, the “troubadour music” he plays is unusual, strongly influenced by Taiwanese pop of the 80s and 90s and Japanese enka, pregnant with hidden meanings, strange twists and maturity. His songs are youthful in spirit, expressing a tragicomic vitality within a strange and subtle harmoniousness.

This music is very different. Richie Kaye doesn’t sound like anyone else. The melodies he has discovered are always singable in and of themselves, but they create eerie harmonies floating over unusual chord changes that still seem somehow familiar. His lyrics convey an exquisite poesy intended to reflect a glimpse at the soulful Intelligence that is greater than Man.

Music & Mirth with Tony LaVorgna

November 5, 2015

Not long ago, the popular music of the American stage, of film and radio was altogether different from what we hear today. It was easy on the ear. Melody was the focus. The lyrics were sophisticated. And the level of musicianship was high.

Richie Kaye’s Music & Mirth with Tony LaVorgna pays tribute to that world of musical variety entertainment by reprising the grand old numbers that people still know and love in traditional swingin’ style.

The instrumentation is, however, untraditional because bass and drums are absent. Instead, as a duo, an archtop guitar provides the beat, the bass and the changes (the chords, in musican-speak), over which the melody instrument, clarinet or saxophone, plays. On some tracks, we fill out the song with piano or voice. And yet, even as duo, the sound is big and full and rich.

This is music that amuses and delights an audience. We think you’ll smile right along with us!

Richie is the mirth and Tony is the music. TONY LAVORGNA, saxophone/clarinet, is a veteran jazz player with credits built over 50 years, including 10 of his own albums, including Nightcrawler with his big band, and a duo with Benny Goodman bass player, Bill Crow. His “Easy Living” sold out both vinyl pressings and his “The Atlanta All-Star Quartet Plays Bill Evans” won the National Academy of Recording Arts and Science award for “Best Jazz Group.”

Known to have lightning fast fingers, Tony played the jazz tenor sax seat for the The Jimmy and Tommy Dorsey Orchestras and toured with the musical, Ain’t Misbehavin’. In Cleveland, Stouffer’s on the Square featured his sax trio and The Togo Suite hired him as resident pianist for many years.

Tony is self-taught like the jazz players of the 1930s and 40s, but studied composition with Glen Miller Orchestra arranger, Bill Finegan, for two productive years. Tony’s original composition “Inspiration” is featured in the award winning film The David Dance, currently playing in theaters around the world. He lives in the New York City area.

 

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