Ernesto Vega and Richie Kaye — A New Musical Collaboration

November 9, 2016

We’re pleased to tell you of a new duo:  Richie Kaye (guitar/voice) and Ernesto Camilo Vega (clarinet/saxophone/flute).

Over the next few weeks, we’ll release a series of videos of mostly new and original music, plus a few surprises from the back catalog.    All melody, strong grooves, richly expressive.

Stay tuned for the release of our first video this Friday, November 11, 2016!

Another Still from the Sugarhill Recording Session

September 21, 2016

 

Another still from the upcoming video. I’ve picked up the solid-body electric once again after many years, for additional variety in my solo show. Isn’t this the change of pace? I think you’ll be enthusiastic about it when you hear it.
 
I’ve been open to working on electric music with Houston/Austin players and though I’ve not yet met them, I’m sure they’re out there and at some point, we’ll meet.  (Photo: Sam Kuslan)
Richie Kaye at Sugarhill Studios playing a Don Grosh Electrajet
Richie Kaye at Sugarhill Studios playing a Don Grosh Electrajet

More New Songs Added to the Solo Show Repetoire

September 19, 2016
New tunes added to the solo show repetoire:
 
A Sunday Kind of Woman (Charlie Rich)
One Note Samba (yes, there are lyrics!)
Heaven (Bryan Adams)
I’ve Heard That Song Before (everybody under the sun)
Lean Baby (Frank)
 
And coming soon:
Danke Schoen (Wayne Newton)
My Sugar is So Refined (Nat Cole)
Funny, Familiar, Forgotten Feelings (Don Gibson)
Life is Just a Bowl of Cherries (Judy)

Richie Kaye’s Music & Mirth — Our 2011 Album

July 11, 2016
I’d not seen until today this delightful bit of praise for our 2011 album, “Richie Kaye’s Music & Mirth, ” recorded with my colleague, Tony LaVorgna and Sam Kuslan (on two tracks).
 
“If you were looking for music that puts you on a “downer” or amplifies your “angst,” you’ll have to look elsewhere. I can’t help but thinking “Laurel & Hardy” (or Ozzie & Harriet, for that matter – back in Ozzie’s early days as a bandleader) as I listen to “Love Is Just Around The Corner“ LOL! You must remember that I grew up in an age when music like this was just giving way to the protest music of the ’60’s, so the idea of humor and FUN in music isn’t foreign to me at all. And tunes like the somewhat corny-sounding lyrics on “Sweet Tooth” aren’t actually as nuts as they sound. The idea back then was to cut a rug and have a ball and this kind of music allowed you to do just that. I give Richie and his sidekick Tony LaVorgna a HIGHLY RECOMMENDED on this one, with an “EQ” (energy quotient) rating of 4.96.” — Rotcod Jazz

My Japan Connection to “I Left My Heart in San Francisco”

July 5, 2016
A fun note about “I Left My Heart in San Francisco.” I first learned it in Japan and out of necessity. In the 1980s, it and the Tennessee Waltz were the two most requested English language sing-alongs. In between the enka (演歌) — Japanese popular music that sounds traditional — I would nestle a few of these.
 
Patrons would send over $150 bottles of Nikka to me after singing these numbers — something that occurred repeatedly. But the man who liked to hear me sing the most, other than my mentor and dear friend Hayano-san 早野 (whom I miss terribly to this day), was not an ordinary every day kind of person He was a made member of the Osaka yakuza and as tough and crude a man, smiling constantly, as ever I have met. And I met him by chance. I was briefly hospitalized (a reaction to the gold flake in sake, I am told, or my drink had been spiked) and he was in the bed next to mine.
 
Covered neck to waist in colorful tattoos, which he proudly displayed and explained to me that included a jinja (shrine), a beautiful and barely dressed blonde and markings that showed where he belonged in the organization. And, of course, he showed me his pinky, which he’d severed at the first joint, in ritual fashion and without anesthesia. I was grateful when he taught me how to curse like a gangster in the Osaka dialect. It actually got me out of a scrape once.
 
Being young and adventurous (I’m still both, but wiser), and actually liking this guy a good deal, I accepted his invitation to his club, where I got up and sang, after some heavy drinking. Thinking back on this, he could have been setting me up for a huge bill — drinking whiskey at a club routinely cost many $100s. But he didn’t. Instead, he had other of his black-suited gangster friends along to toast our collective health as we all sang, “I Left My Heart in San Francisco.” It was a great night.

New Songs Added to Richie Kaye’s Solo Show Repetoire

A few songs I added this month to my solo show repetoire:

Blame It on My Youth (Nat Cole)
Goodbye is All We Have (Alison Krauss)
Your Song (Elton John)
If I Ruled the World (Sammy Davis, Jr.)
Georgy Girl (The Seekers)
This is a Great Country (Bing Crosby)
You Won’t Be Satisfied Until You Break My Heart (Doris Day)
I Left My Heart in San Francisco (Tony Bennett)

Lots of variety!

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